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Product details

File Size: 19416 KB

Print Length: 344 pages

Page Numbers Source ISBN: 0571313485

Publisher: W. W. Norton & Company; 1 edition (February 14, 2017)

Publication Date: February 14, 2017

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B01HDSU3OO

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I don't think that I actually saw Casablanca from beginning to end until I was an adult. And I don't recall being so enthralled with it the first time around. But over the years it has grown on me and become one of my all time favorite movies. I loved it so much that while taking a graduate level history class on French History, I used the movie as a back drop for a discussion of Vichy France and wrote a paper on the subtle influences of Vichy France in Casablanca. The Professor loved it!At that time I read several books and article on the movie and really thought that there was not much else to learn. And then I read WE'LL ALWAYS HAVE CASABLANCA. The book relates numerous vignettes about the author, the actors, the making of the movie and its legacy. The book successfully puts the movie and its message into historical context.What concerns me is a vignette related at the end of the book, where the author talks about a speaker talking to an audience that did know Casablanca. To me such a person is culturally illiterate - but perhaps I should not be so harsh. There are many parts of current culture at I am illiterate about and those people would call me culturally illiterate. I just hope that we don't lose movies like Casablanca and its message.This is a very quick read for the movie aficionado and the apprentice alike. It tells the story of a movie that typified a period in American history and conveys a message that should not be lost.

This is a delightful and informative paean to what is probably the best-loved movie of all time. "Casablanca" is one of Hollywood's greatest products, and Isenberg's book gives you all the background. The two most interesting chapters had to do with the number of real refugees who were either in the movie or helped make it, and the battles Warner Brothers had to fight with the Production Code Administration over censorship of the movie. And while there was certainly background on Bogart, Bergman, and Henreid, there was plenty of biographical info on the support players - Wilson, Rains, Veidt, Lorre, Greenstreet, Sakall, and Lebeau - that was just as, if not more, interesting than the stories about the main actors. The tortuous history of how the screenplay came to be written is also fascinating.I admit that I'm a huge Casablanca fan; I've seen the movie dozens of times. So my liking of this book was almost certain. For folks who aren't big fans of the movie (what are those people called? Oh yeah... psychos), then this book might not be all that interesting. Recommended. (And watch the movie first.)

Fascinating history of the people in this movie and how it was made. I never knew there were so many immigrants who escaped the Nazis all in one movie. I loved it!

I read this book and found it to be informative and a fascinating read. There are so many facets to this incredible movie it is difficult to aggregate everything. However, the author has done a superb job. Passionate fans and those new to the movie's charms will find the book well worth reading for the deep background it provides. There is something for everyone. I have shared copies with friends and the book has been a big hit with them. I would love to audit one of the professor's classes.

It's often been said that while Casablanca was not the best movie ever made, it has been called the most beloved, and reading this latest book that focusses on its mystique makes me want to find a theater screening it so I can see it on the big screen once more. As with most viewers my age and younger, I first saw it cut, spliced and interrupted by commercials on a late show, and it wasn't until the mid-70's when I saw it at Trinity College's annual sold-out screening (where it was always paired with Robin Hood) that I was hit with its full power. Viewed as it should be on a screen in a darkened theater. It was that experience that turned me into the film lover I am today, insisting that people try where possible to see films not on tv, but as they were designed to be seen. Casablanca, Psycho, and Citizen Kane. All of these iconic films are perfect as they are and shouldn't be messed with.As for the book's content, there was little that was new, but it was the thematic structure that gave it resonance. Interesting -- when read against the background of today’s incendiary political and social landscape was the accusation of potential war mongering propaganda present in those days of WWII. Also, the fact that Jack Warner was already on a Nazi hit list due to the screening of one of his earlier films at Berchtesgaden. Also interesting was the timing of the film's release - Thanksgiving 1942, within days of the takeover of northern Africa by American forces. The timing of this resonated with audiences of the day, as a delay of even a week would mean Moroccan Jews were designated for deportation to Germany and death camps.In particular, I loved the chapter dealing with the cast, not just the beloved main characters, but with every one, even the smallest part. Pauline Kael, who was not a fan of the movie, nevertheless pointed out the contribution of emigre population particularly in large cafe scenes which benefitted from the polyglot of languages. She said that the picture would not have had the tone it did if Hollywood actors were cast, faking accents.The final chapters, least successful, concern the attempts to broaden the story, colorize it, even the horrid (late, unlamented) attempt at a tv series in the '80s. Plans were hatched (and discarded, thank God), to follow Ilsa, Rick and Renault and to fashion their lives following the fog drenched scene on the tarmac, but that movie, made in a time when sequels were not what they are today, is perfect as it stands even if it's a story without a tidy ending. So, just leave it alone.

This is not most complete treatment I have ever read about any movie! It not only delves into the origins of the story, the creation of the movie production, the nature of characters, the biographies of actors, but also explores the cultural impact that the movie has had on America (and on that matter the World). The author did a ton of research for this book and his analysis and conclusions are wide ranging. It is a great read not only for movie buffs but for history and sociological buffs as well.

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